But if you find a plug-in that supplements the core feature set of your NLE with some other nifty set of tools-all the better! These are some of my favorite little bonus add-on features. Vibrancy, Blur, Offset / Setup Controls: I like plug-ins that offer multiple tools in a unified interface, just like the FCP X Color Board.If I’m going to add a color correction plug-in, at a minimum it needs the industry-standard 3-Way interface… if for no reason then for my ability to transpose the color correction skills I learn in FCP X to other apps, later in my career. There’s no reason to throw that muscle memory away when using FCP X.While its Color Board is solid, it’s also a one-off interface unlikely to make it into other apps. For color correction, the 3-Way is the de facto standard for making primary adjustments. As much as possible, you’d like those apps to have similar interfaces. 3-Way Color Wheels: If you’re a professional, you’ll probably need to get proficient on several different post-production apps over any 5-year period.Generally, I want my go-to color correction plug-in to have as many of these features on possible: What are some of the key features I look for in a quality color correction filter to plug into a non-linear editor? It’s now time to find one single plug-in to supplement the core filter set of FCP X to help us work faster or more intuitively. We are entering the home stretch of what has turned into a marathon of Insights building up a professional workflow for color correcting in Final Cut Pro X. The FCP X Desert Island Challenge Part 10 Color Finale: An Overview of a Color Correction Plug-in for FCP X Tutorials / FCPX Desert Island Challenge / 3rd Party Color Correction Plug-ins for FCP X: Color Finale Series

Color finale pro premiere